prose

Ivana Kovačić: Parafairytale (two excerpts from the novel)

lvana Kovačić was born in 1979 in Split. She finished elementary and high school on the island of Hvar, and studied Croatian and Russian languages and literature at the Faculty of Philosophy in Zagreb. She does various occasional jobs, translation, writing and participation in art and activist projects. She lives in Zagreb. Her novel Parafairytale (2013) - which touches on motives of a father’s death and coming out - had a very good critical reception.



Sparklers

 

Grandpa held the best food was eels, prosciutto and lamb.

He hadn't gotten out of bed for the seventh day. At night, Mom, Dad and Uncle took turns watching him. They asked if he wanted any food, but he couldn't. He was spitting blood.

- Don't you worry, you'll still be a fox when you're eighty years old - he told Mom that night as she sat by his side.

At the end of the first year I was waiting for an exam with a group of students, many of which I didn't know. I saw one girl looking at me and smiling. Her name was Brita.

- What up, you? - she spoke to me with a smile.

- Steiger - I replied.

In the end, the exam was postponed and she invited me over to study together.

On our last Christmas together, three months before Grandpa was bedridden, there was maybe an hour left 'til lunch. Everyone was tense and moving around the house, Mom and Grandma were cooking. The Christmas tree was decorated and for the first time it had sparklers on it. The balls were Grandma's family heirlooms, she brought them as "dowry" along with the Nativity scene. My sister and I were squirming on the couch. She, of course, couldn't wait for the sparklers to be lit.

- This ought to end - said Grandpa when Uncle came to relieve Mom of her shift.

We lay in the near dark of Brita's living room. Here you could no longer see the sky-blue eyes that shone in the hallway of the university. In a room with dim light, I saw only pupils through which I wanted to pass, so I could see those eyes again.

- Just one. To see what it looks like. Nobody will even notice. - my sister was pushing.

I agreed and she lit the sparkler. We were watching it sparkle, when Grandpa passed from the kitchen through the living room. He couldn't see well and it looks like he hadn't noticed anything. He disappeared into the hallway. The sparks turned the dry pine needles into a real bonfire. The whole Christmas tree went up in flames immediately and the fire caught the big wall closet.

At one moment, before they put it all out, Grandpa grabbed our hands and locked us in his room. He didn't let anyone touch us. We huddled on his bed and waited for him to call us when he calmed everyone down.

On his last night, in the armchair on the right side of that large bed, around five o'clock in the morning, sat Dad instead of Uncle.

- My Ivan, life goes by like a dream. I see you know as a boy, riding your bike on the square. Not a soul around, just one woman, and you go straight for her and knock her down. - Grandpa spoke.

In the morning they called a priest.

Brita's nipple was big, much bigger than mine, and when I moved towards it with my tongue I felt like I was crossing the island square in winter, alone and eyes without pupils were looking at me from behind the windows.

 

(...)

 

As soon as Grandpa died, Grandma's chin which had shaken uncontrollably for the last twenty years or so was suddenly stilled. Calm seas. Everybody whispered about it behind her back. Grandma didn't comment on any of it. Soon the rest of the family moved to the New House, and she was left alone in the Old, enjoying complete silence and solitude. One morning she was peeling potatoes, missed the chair and broke her hip. As she was lying, deep wounds opened in her hips, wounds in which worms could appear. Dad bought shoes for her funeral and for the last few days, to break them in, he brought her lunch wearing them. He came back and tearfully said she told him he has lovely shoes. He liked to cry, and if he didn't have a good reason for it, he'd make something up. He'd always start reading the newspaper from the obituaries.

In the New House, around a month before it was discovered he was ill, he came to my room teary-eyed and gave me the membership card of the water polo club he played for as a young man. Throughout the illness, he pretended he would fight and accepted all of Mom's suggestions, more out of courtesy than out of a real desire for life. His favourite thing was sitting under the fig tree in the yard, rolling his eyes and opening his mouth like a fish on dry land. It was a special dying performance, which was funny while he could get out of the house nd sit under the fig tree.

I wanted him to fight, but it seemed, if he didn't make it, it was no less important that I find a good quote for his obituary, worthy of all his tears and stirred emotions. I started thinking about that much sooner than he started thinking about a suit and new shoes for Grandma's funeral.

 

I picked the end of Turgenev's "Fathers and Sons":

 

..."Is not love, sacred, true love omnipotent? Oh no! However passionate, sinful, rebellious the heart that hides in the grave, the flowers that grow on it calmly gaze upon us with their  innocent eyes; they tell us not only about the eternal peace, of that great peace of 'indifferent' nature; it tells us also of eternal reconciliation and eternal life..."

I was happy with that for a while, and then I too felt the strange urge to break in my shoes.

 

o nama

Dobitnik nagrade "Sedmica i Kritična masa 2020" je Filip Rutić

Dobitnik književne nagrade "Sedmica i Kritična masa 2020" za mlade prozaiste je Filip Rutić (1997).
Nagrađena priča ''Riža s kečapom, blagim ili ljutim” ima snažan pečat 2020, a autoru je uspjelo kroz nepretenciozan ton i jedan neobičan odnos dati sliku opće nestabilnosti u eri korone i potresa.
U užem izboru nagrade, osim nagrađenog Rutića, bili su Lucija Švaljek, Iva Hlavač, Luca Kozina, Marina Gudelj, Vid Hribar i Darko Šeparović.
Ovo je bio peti nagradni natječaj koji raspisuje Kritična masa, a partner nagrade je cafe-bar Sedmica (Kačićeva 7, Zagreb). Nagrada se sastoji od plakete i novčanog iznosa (5.000 kuna bruto). U žiriju nagrade bile su članice redakcije Viktorija Božina i Ilijana Marin, te vanjski članovi Branko Maleš i Damir Karakaš.

intervju

Filip Rutić: Književnost bez novih glasova i perspektiva pretvara se u historiografiju

Predstavljamo uži izbor nagrade ''Sedmica & Kritična masa''

Filip je u uži izbor ušao s pričom ''Riža s kečapom, blagim ili ljutim''. Standardnim setom pitanja predstavljamo jednog od trojice muških natjecatelja.

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Natječaj ''Sedmica & Kritična masa'' 2020 - uži izbor

Nakon šireg izbora slijedi uži izbor nagrade ''Sedmica & Kritična masa'' za mlade prozne autore. Pogledajte tko su sedmero odabranih.

o nama

Natječaj ''Sedmica & Kritična masa'' - popis šireg izbora, pred objavu užeg

Natječaj ''Sedmica & Kritična masa'' za mlade autorice i autore do 35 godina starosti bliži se svome kraju. Ovo je peto izdanje nagrade, utemeljene 2015. godine, koja pruža pregled mlađe prozne scene (širi i uži izbor) i promovira nova prozna imena. Prva nagrada iznosi 5.000 kuna (bruto iznos) i dodjeljuje se uz plaketu. Prethodnih su godina nagradu dobile Ana Rajković, Jelena Zlatar, Marina Gudelj i Mira Petrović.

proza

Marina Gudelj: Ljudi na uglu ulice, pokraj prodavaonice pića

NAGRADA "SEDMICA & KRITIČNA MASA" - UŽI IZBOR 2020.

Marina Gudelj (1988., Split) završila je Hrvatski jezik i književnost na Sveučilištu u Zadru. Radi kao nastavnica Hrvatskog jezika u školi. Prvi književni rad, kratka priča Semafor, šahta, apoteka, birtija objavljena je u Zarezu 2015. godine. Iste je godine osvojila prvu književnu nagradu na portalu KSET-a za priču Kamo idu irske mačke. 2017. godine osvaja prvo mjesto na natječaju Kritične mase za priču Lee. S istom pričom iduće godine sudjeluje na LitLink festivalu u Zagrebu. 2018. godine osvaja treće mjesto s pričom Dulcinea na konjaku na 17. izdanju Festivala europske kratke priče, a krajem iste godine ulazi u uži izbor natječaja Prvi Prozak i Na vrhu jezika s pričom Vještica. 2019. godine osvaja nagradu Prvi Prozak za autore do 35 godina starosti, a objava zbirke priča očekuje se sredinom 2020. godine.

proza

Vid Hribar: Bilješke za preživljavanje

NAGRADA "SEDMICA & KRITIČNA MASA" - UŽI IZBOR 2020.

Vid Hribar (1993., Zagreb) je trenutno na završnoj godini diplomskog studija na odsjeku dramaturgije pri Akademiji dramske umjetnosti u Zagrebu. Piše scenarije, drame, poeziju, kratke priče, uz to se bavi komponiranjem i sviranjem klavira u brojnim zagrebačkim bendovima. Na radiju se izvode njegove ''Nule i ništice'' (2017.), radiodrama inspirirana motivima Harmsove istoimene zbirke kratkih priča, drama ''Oskarov san'' (2019.) te ''Od Vlaške do Britanca'' (2019.). Njegova drama ''Tuneli'' prevedena je na makedonski jezik od strane Makedonskog centra ITI, a njegova drama ''404'' objavljena je na portalu drame.hr. Kao kompozitor radi na nizu kazališnih, filmskih, televizijskih te radiodramskih projekata.

proza

Luca Kozina: Grbava plesačica

NAGRADA "SEDMICA & KRITIČNA MASA" - UŽI IZBOR 2020.

Luca Kozina (1990., Split) piše prozu i poeziju. Radovi su joj objavljeni u časopisima: Zarez, Fantom Slobode, Mogućnosti, Republika, u zborniku Rukopisi 43 te na internetu (Zvona i Nari, Književnost Uživo, Kultipraktik, Nema). Dobitnica je nagrade Prozak za 2019. godinu. Piše književne kritike za portal Booksa. Članica je književne grupe NKV.

proza

Petra Bolić: Hans.

NAGRADA "SEDMICA & KRITIČNA MASA" - ŠIRI IZBOR 2020.

Petra Bolić (1992., Varaždinu) studirala je francuski jezik i književnost, kulturološku germanistiku i književno-interkulturalnu južnoslavistiku na Filozofskom fakultetu u Zagrebu i Karl-Franzens Universität u Grazu. Znanstveno polje interesa su joj njemačko-južnoslavenski kulturno-književni transferi i suvremena slovenska proza. U slobodno se vrijeme bavi književnim prevođenjem i književnom kritikom. Vlastitu je kratku prozu do današnjega dana skrivala u ladicama.

proza

Ivana Pintarić: Propuštanje riječi

NAGRADA "SEDMICA & KRITIČNA MASA" - ŠIRI IZBOR 2020.

Ivana Pintarić (1988., Zagreb) je edukacijski rehabilitator. Piše poeziju i kratke priče. Ulomkom iz romana ''Gorimo (ali ne boli više)'' ušla je u finale izbora za nagradu "Sedmica & Kritična masa" 2015. godine. Ulazi u širi izbor nagrade "Sedmica & Kritična masa" 2017. ulomkom iz romana "Ovo nije putopis o Americi". Bila je polaznica Booksine radionice pisanja kratke priče pod mentorstvom Zorana Ferića. Objavila je radove na portalima kultipraktik.org i booksa.hr. Objavila je priču u časopisu Fantom slobode. Članica je književne grupe ZLO koja okuplja mlade pisce različitih književnih afiniteta i usmjerenja, koji zajednički promiču ''mladu'' književnost, sudjeluju na književnim natječajima, festivalima te organiziraju književne susrete i čitanja.

proza

Josip Čekolj: Kokoši ne letiju visoko

NAGRADA "SEDMICA & KRITIČNA MASA" - ŠIRI IZBOR 2020.

Josip Čekolj (1999., Zabok) student je treće godine kroatistike te etnologije i kulturne antropologije na Filozofskom fakultetu u Zagrebu. Dosad je svoje pjesme i kratke priče objavljivao u hrvatskim i regionalnim časopisima i zbornicima poput ''Rukopisa'', ''Alepha'', ''PoZiCe'', zbornika Gornjogradskog književnog festivala, Po(e)zitive i drugih te na portalima Kritična masa, Strane, Poeziju na štrikove, Čovjek-časopis i NEMA. Ovog ljeta izdaje dječju slikovnicu ''Srna i Mak u potrazi za uplašenim mjesecom'' u nakladi Mala zvona. S pjesničkim rukopisom ''Junaci i zmajevi su izumiruće vrste'' ušao je uži krug za nagradu ''Na vrh jezika'' 2019. godine.

proza

Ana Vučić: U Limbu

NAGRADA "SEDMICA & KRITIČNA MASA" - ŠIRI IZBOR 2020.

Ana Vučić (1992., Karlovac) još uvijek pokušava završiti Kroatistiku i Sociologiju na Filozofskom fakultetu u Zagrebu. Dosad su joj objavljene neke pjesme i jedan ulomak u studentskim časopisima i na Kritičnoj masi. Otkad je Jastrebarsko zamijenila Zagrebom piše tek neznatno više. U slobodno vrijeme čita, gleda sport i serije te mašta o obrani diplomskog rada u normalnim okolnostima. Vrhuncem svoje dosadašnje književne karijere smatra sudjelovanje na prvoj Kroeziji u kafiću Luxor.

proza

Ivan Katičić: Klošari

NAGRADA "SEDMICA & KRITIČNA MASA" - ŠIRI IZBOR 2020.

Ivan Katičić (1990., Split) objavio je zbirku kratkih priča ''Pet metara bliže zvijezdama'' (Pučko otvoreno učilište Velika Gorica, 2016.). Živi i ne radi u Omišu.

proza

Gabrijel Delić: Orlovski

NAGRADA "SEDMICA & KRITIČNA MASA" - ŠIRI IZBOR 2020.

Gabrijel Delić (1998., Zagreb) napisao je nekoliko članaka na temu automobilizma objavljenih na jednoj britanskoj web-stranici i poneku kratku priču od kojih je zadnja objavljena u regionalnom natječaju ''Biber'' za 2019. godinu.

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